El artículo se centra en el filósofo argentino Eugenio Pucciarelli (1907-1995) y su recepción de la fenomenología, a la que confiere un sesgo humanista. Se procederá a una introducción a su contribución a la fenomenología en América Latina y se abordarán los siguientes temas: 1) la misión de la filosofía, las diversas vías de acceso a su esencia, en particular aquellas de Scheler, Dilthey y Husserl, 2) su recepción de Husserl en cuanto concierne a los ideales de ciencia y de (...) razón, 3) la crisis de la razón y de la evidencia, 4) su concepción pluralista de la razón, del tiempo y de la cultura, 5) humanismo y libertad. La tesis sostiene que su concepción de la filosofía, que enfatiza la dimensión personal y el compromiso social de la práctica filosófica, revela un profundo humanismo pluralista que no descuida su función militante y crítica, evidenciado así la actualidad de su mensaje. (shrink)

This paper enquires into a paradigmatic change concerning the concept of motion: from a phenomenological conception of motion understood as a continuous and finite process of translation, to a physical conception of motion as rectilinear, uniform and continuous, that is, as an inertial state that if unhindered, can extend infinitely – the former held by Aristotle, the latter by Koyré, a shift that is evidenced by their contrasting treatment of Zeno’s paradoxes. I argue that both ontologies of motion can be (...) understood in phenomenological terms: Motion is accomplished by the real itself. However, while Aristotle’s continuous motion as actualization of the form of a given body involves its formal determination and constitution of sense, Koyré’s conceives of motion and rest as kinds of being and motion itself as exemplifcation of the mathematization of nature that Husserl described in the Crisis. Taken together, these changes presuppose a transformation of metaphysical and epistemic frameworks. (shrink)

This paper concerns both Aristotle's notion of right feelings and Husserl's account of intentional feelings and emotions as developed in their ethical writings and it discusses these approaches in relation to each other. It addresses the question of motivation and justification or evidence for moral feelings and actions. In particular, it focuses on the emotional states of Philia and love as well as the inherent relationship between affectivity and reason. The paper concludes with some reflections on the requirements for the (...) constitution of a moral self. (shrink)

The interweavement of philosophy and literature allows to gain a new sense from the own, lived experiences and to express them through narrations, as the paradigmatic works of Nietzsche, Deleuze and Borges show. They all deal with the inexorability of time and the fact of being at the mercy of the unwanted aspects of Being-in-the-world, the detailed reading of which allows us to assert that the event of the emergence of a new sense lies in the experience of the creative (...) power of the instant, wherein the difference is introduced as the first principle through a Copernican turn and where the eternity expresses itself. In fact, the instant in its repetition results from a strike of chance, an assumption which leads to a new understanding not only of time as a network of destinies, but of eternity as extensive, intensive or ecstatic eternity. Being involved in this experience means to undergo an existential experience of time which produces an irrevocable change of the self. (shrink)

La confrontación entre Heidegger y Husserl que ha dominado hasta fecha reciente la interpretación filosófica debe ser revisada a la luz de las indagaciones de Husserl sobre la protofacticidad: Ella concierne a una ontología del mundo de la vida que es afín a la mundaneidad heideggeriana: Los protohechos constituyen un horizonte de sentido ya instaurado, que el yo debe reconfigurar en su praxis. Esta protofacticidad inmodalizable alberga un núcleo de protocontingencia que da cuenta no sólo de la contingencia fáctica de (...) las categorías experienciales, sino también la del mundo, del ego y de los entes finitos: En tanto procesos o sujetos a cambios cualitativos en sus características esenciales su modo de ser se caracteriza por una permanente apertura esencial. Ambos pensadores sostienen la contingencia esencial del mundo, de la que sólo puede dar cuenta la experiencia fáctica hic et nunc de un ego encarnado y mundano.The confrontation between Heidegger and Husserl, ever present in philosophical debates, should be reviewed in the light of Hus-serl’s late inquiries into protofacticity. Concerning the ontology of the lifeworld, it addresses some of the issues of Heidegger’s characterization of Dasein as being-in-the-world: Protofacts constitute an already given sense-horizon, which the ego must re-configurate in its praxis. This unmodalizable primal facts host a core of protocontingency that accounts for the factual contingency not only of the categories of experience, but of the world, the ego and of finite beings: Understood as processes or subjected to qualitative changes in their essential structures, their mode of being is characterized by an essential openness. Both thinkers sustain the contingency of the world, for which only the hic et nunc factual experience of a mundane, incarnated ego can account. (shrink)

ABSTRACT The current article deals with the correlation between virtual and physical reality as they concern the body. The thesis of this article is that the lived body transposed into virtual reality becomes a body without organs in Deleuze’s terms, i.e. the lived body, a sensitive field of sensorial events immersed in a lived space, becomes a virtual body made up of intensities, of pure forces or magnitudes within a vector space, thereby losing its affective qualities. Furthermore, lived and virtual (...) bodies build up a correlation bridged not by intentionality, as phenomenology would maintain, but by sensation. Virtuality is thus characterised by both the loss of corporeality and the simulation of the lifeworld. But how can the split between the real and the virtual body be bridged? On the one hand, in Deleuze’s conception of sensation, real and virtual collapse into one another so that the real world ‘resonates’ with its virtual double. On the other hand, Merleau-Ponty’s concept of form relates both realities in terms of a correlation of signification between the physical and the existential realms. With recourse to the notion of structure or form, I will argue that the phenomenal and the virtual do not represent different modes of being, but are bound by a correlation ruled by sensation as a system of intensive forces. (shrink)

Die Phänomenologie Husserls ist nicht nur als ein metaphysikkritisches Unternehmen, sondern als eine kritische Wiederaufnahme aristotelischer Themen aufzufassen. Denn die Frage nach dem Sinn des Seins führt Husserl anfänglich dazu, eine transzendentale Phänomenologie als eidetische Wissenschaft zu entwerfen, welche die aristotelische Ontologie auf formale und materiale Regionen erweitert. Später aber führt sie Husserl nicht nur zu einer Revision der Beziehungen zwischen Phänomenologie und Metaphysik, sondern zu einer Erweiterung des phänomenologischen Bereiches auf Fragen der letzten absolut gegebenen Urtatsachen, die eine phänomenologische (...) Metaphysik ausmachen. Dabei unternimmt Husserl eine kritische Rehabilitierung der aristotelischen Ontologie, indem er die materiale Ontologie sowohl mit einem ‚Unterbau‘ als auch mit einer ‚Krönung‘ versieht: Sie gründet auf einer apodiktischen Urfaktizität, die eine affektive Lebendigkeit aufweist, und gipfelt in einer Gottesauffassung, welche die erste Philosophie Aristoteles in einer praktischen Wende wieder aufnimmt. Die anfängliche Trennung beider Disziplinen wird somit in Richtung einer Phänomenologie überwunden, die eine phänomenologische Metaphysik miteinschließt und dadurch ihre Spannbreite neu definiert. (shrink)

This article inquires firstly into the descriptive and affective function of images as examples and exemplars in both Cassirer’s and Husserl’s conceptions of perception and aesthetics in order to disclose their respective relationship to reality, that is, mimesis. In view of the correlation between symbolic comportment and symbolic forms at Cassirer, it will secondly show that the ensuing hermeneutical circle can be overcome by taking recourse on Husserl’s genetic analyses on passive sense constitution. It will thus set the basis for (...) a “hermeneutics of expression” that should, thirdly, shed light on the possibility of establishing an aesthetical knowledge. For this purpose, it will disclose an excess of sensuous expression that is determined by a pre-categorial limit-concept within the process of sense-formation. This inquiry shows that, while images as examples are characterized by their ideal arbitrariness, aesthetic images as singular and categorially determined exemplars can be understood as the affective expression of reality. (shrink)

In dem Beitrag wird der Frage nachgegangen, wie der Widerstreit zwischen mimesis und methexis eine – so die These – ›atopische Differenz‹ hervorbringt, die den Sinn des Gegenstandes zu einer fortwährenden Bildung zwingt, einen Sinn, der sich weder vollständig erhellen noch in bestehenden Begrifflichkeiten erfassen lässt, sondern sich eher in sinnlichen Erfahrung ausdrückt. Der Begriff der Atopie bedeutet nach Franco Rella , außerhalb unseres Platzes bzw. der Grenzen unserer wahrnehmungsmäßigen und kognitiven Gewohnheiten zu sein. Die hier vorgeschlagene atopische Differenz – (...) eine Differenz, die sich in keinem eigenen Ort bzw. topos idios im Sinne Aristoteles verankern lässt – wandert zwischen dem Abbild und dem Trugbild und entzieht sich unseren Gewohnheiten und übernommenen Begriffen. Um die Voraussetzungen der Repräsentation, wie sie von Platon benannt werden, aufzudecken, soll in einem ersten Schritt das Verhältnis zwischen Urbild und Abbild im Denken Platons vorgestellt werden. Anschließend wird auf Gilles Deleuze’ Schriften Differenz und Wiederholung und Logik des Sinns eingegangen, die die Grundbausteine für eine moderne Aufwertung der mimetischen Praktiken liefern. Der französische Philosoph hebt die Produktion von Trugbildern als eine »Umkehrung des Platonismus« hervor, denn diese reproduzieren nicht mehr das Urbild. In einem dritten Schritt werden die Eigenschaften der Trugbilder anhand der Gemälde des englischen Malers Francis Bacon näher bestimmt. Zum Schluss wird die ›atopische Differenz‹ in ihrer Entstehungsmöglichkeit und ihrer Tragweite näher beleuchtet. Es wird sich herausstellen, dass die Umkehrung des Platonismus nicht nur eine Produktion des Trugbildes ist, sondern auch einen sinnlichen Überschuss verursacht, der sich jeder wesentlichen Bestimmung widersetzt, unlokalisierbar bleibt und die Betrachter affiziert. (shrink)

This paper deals with the problem of the origin of sense and meaning. For Husserl, the determination of the ideal identity of something new can only take place retroactively in the totality of the preceding series by stepping back towards the original foundation of sense. In this regard, J. Derrida questions the ideality of the same as presence and the possibility of retrieving any arché of sense in his writings Speech and Phenomena and Edmund Husserl’s Origin of Geometry. Phenomenology is (...) not oblivious to these difficulties, as results from a closer reading of the correlation between idealities and sensory experience: It will show that there are at least four interrelated gaps in the Husserlian phenomenology which testify the difficulty in grasping a retraceable arché of sense. First, the gap between the ideality of sense and its representation. Second, the gap between sensory and categorial intuitions, whereby both exceed one another. Third, the gap between the ideality of sense and the sense which exceeds our expectations. Fourth, the gap between the experience of the new that overcomes us and its apprehension by consciousness. Hence, there is a fundamental gap between the conceptual idealities and the essential indeterminacy of our phenomenological sensory experience, which is correlative to an excess of one in respect to the other. In this sense, Derrida’s concepts of « différance » and “invention” allow us to conceive of this self-givenness of sense as the expression of its constant self-renewal. This expression takes the form of a trace, which, neither present nor absent, suspends meaning and full presence, leaving the narrative “open” for the reinvention of sense. (shrink)

This paper focuses on the Argentine philosopher Eugenio Pucciarelli (1907–1995) and his critical reception of phenomenology. It introduces to his contribution to phenomenology in the context of its early reception in Argentina and addresses the following issues: 1) the mission of philosophy, the various ways of accessing its essence, in particular those of Scheler, Dilthey and Husserl, 2) his reception of Husserl as far as the ideals of science and reason are concerned, 3) the crisis of reason 4) his pluralistic (...) conception of reason and time, and finally, to 5) his humanistic stance. I argue that his conception of philosophy, which emphasizes the personal dimension and the social commitment of philosophical practice as well as the relentless search for unshakeable foundations of knowledge as carried out by Husserl, is underpinned by a pluralistic conception of reason, time and culture that confers Pucciarelli’s philosophizing a humanistic bias. Phenomenology as conceived by Pucciarelli becomes thus an active force by embracing multiple perspectives, such that its methodology can be applied to varying contexts and circumstances. Pucciarelli’s commitment to social justice and Latin American culture responds to the attempt to rescue the virtues and freedom of the individual, which ground human dignity. In short, Pucciarelli’s stance reveals a profound pluralistic humanism that does not neglect its militant and critical function, thus evidencing its relevance to the current sociopolitical situation in Latin America. (shrink)

In her article “Die Irrealität des Kunstwerkes,” first published in 1938, Hedwig Conrad-Martius delves into the question of the artistic representation of the real reality of the world, which basically concerns the classical distinction between art and nature. It is in this context that Conrad-Martius rejects idealism and the concomitant assumption that an artwork imitates the “living reality” of Nature. She clearly distinguishes between the task of phenomenology and that of art: while phenomenology should surpass the sphere of mere sensuous (...) appearances and inquire into the “real reality” (wirkliche Wirklichkeit) of the world, phenomenological aesthetics should conversely deal with the expressive character of appearances and assume their inherent “irreality” (Irrealität), such that phenomenological ontology and aesthetics involve distinctive ontological realms that vary according to the subject-matter. However, while she clearly distances herself from Husserl’s phenomenology in her search for the consciousness-independent facticity of the world, she concurs with him in her eidetic enquiries and in the assertion of the creative potential of art, which lies in the creation of a new, even “irreal,” world. For this purpose, I will explore confluences and divergences between their respective conceptions. (shrink)

Der Beitrag widmet sich der Entwicklung der Untersuchungen Husserls und Merleau-Pontys in Bezug auf die Wechselverhältnisse zwischen Welt, Raum und Leib. Die These besagt, dass die ›genetische‹ Einsicht, die leiblich aff ektive Erfahrung verleihe der Welt einen subjekt-relativen Sinn, anfänglich zu einer Umkehrung des Fundierungsverhältnisses und schließlich zur Ausarbeitung der Urhyle als sinnliches Prinzip bei Husserl geführt hat, während sie Merleau-Ponty dazu verleitet hat, die Unterscheidung ›Bewusstsein-Objekt‹ zu revidieren und eine Ontologie des Fleisches zu entwickeln. Aus dieser Initialthese wird sich (...) zeigen, dass die durch pathische Empfindungen, Gefühle und Stimmungen hervorgebrachte Verschränkung von Leib und Ort die existenzielle Dimension der Raumerfahrung, das ›Hier-in-einem-Ort-zu-sein‹, ausmacht. Der Begriff der Atmosphäre verbindet diese Einsichten mit der Architekturerfahrung: Insofern eine Atmosphäre alle unsere Sinne durch optische und haptische Empfindungen simultan ergreift, gleicht sie einer intensiven Gefühlskraft und stellt die Dauer und die affektive Dimension eines Seins-in-Situation hervor. Sie veranschaulicht somit das Erklärungspotential der genetischen Phänomenologie für die Architektur. (shrink)

Summary This paper deals with the development of Husserl’s and Merleau-Pontys analyses of the affective lived experience of body and space. Both the concept of „flesh“ (Merleau-Ponty) and „Hyle“ (Husserl) stand for a sensuous principle that underlies the original givenness and solidarity of body and world and I claim that this interaction and the concomitant intertwining of body and place make up the existential dimension of architecture, i.e. the, being-here-in-a-place’. In this connection, I argue that the fact that bodily affective (...) experience endows the world with sense has led to a double break: On the one hand with representation and on the other with perspectivity and compossibility of the realms of being in Husserl’s and Merleau-Ponty’s respective approaches. Finally, I will exemplify this break and the development of genetic insights – from an anthropocentric, organic and harmonious space conception to a topologic space made up of incompossibilities expressing an ambiguous sense – with paradigmatic works of architecture, so as to make evident the explanatory potential of phenomenology for architecture. (shrink)

La tesis principal sostiene que Descartes, mucho antes que Nietzsche, sentó las bases para la aserción de la fenomenalidad del mundo interno, el cual posee los atributos de certeza e indubitalidad de las que carecen los fenómenos externos de la percepción. Después de un primer analisis del alcance del cógito de las Meditaciones, de la crítica al mismo de Nietzsche y finalmente de la crítica de Heidegger a ambos, se analizan los problemas inherentes a sus respectivos planteos. Mientras que el (...) cógito de las Meditaciones sólo prueba la existencia del ser sustancial inmaterial, el Tratado de las pasiones y ciertas cartas de Descartes permiten la postulación de un �yo� sustrato del compuesto alma-cuerpo que no sólo es sede de las pasiones y acciones, sino que alberga emociones ciertas e indudables que permiten la constitutición de un sujeto de la experiencia afectiva. El análisis de la subjetividad en Nietzsche revelará que, aunque el sujeto es sólo una ficción útil, comparte ciertos rasgos con la subjetividad afectiva postulada: las emociones remiten al mundo exterior en cuanto éste es sentido y, en cuanto le advienen al alma y la afectan irremisiblemente, no pueden ser puestas en duda. (shrink)

The Sublime in a phenomenological sense: The Affective Bodily Experience of Space The aim of the following paper is to redefine the sublime in phenomenological terms, a task long overdue. Departing from Kant, it claims that the phenomenological sublime is an emotion aroused neither by the power of our reason transcending the inadequacy of imagination as it concerns nature, nor by the overwhelming powers of imagination as it concerns an artwork, but by the excess of sensuousness over conceptuality, which is (...) bodily felt. This shift into bodily apprehensions, though advanced by empirical psychologists, took place in the twentieth century resulting from Husserl's and Merleau-Ponty's reformulation of the affective sphere of the body and of its concomitant experience of space. Their criticism of compossibility and harmony lead to a disruption of the bodily metaphoric order inherent to artistic representation. This becomes evident in the conception of present architecture, as the works of Tschumi and Eisenman show. The phenomenological emotion of sublimity expresses thus the affective bodily experience of space. (shrink)

In his book Welt und Unendlichkeit, László Tengelyi has enquired into the possibility of a phenomenological metaphysics. Among the many issues addressed in his book, he thematized a real necessity of a non-apriori kind at Aristotle and Husserl, a necessity which he called „a necessity of the fact“. His research settled the basis for the present enquiry, which will examine the relationship between the absolute and the conditional necessity of a fact as well as the contingent or accidental features involved (...) therein at Aristotle and Husserl, insofar as facticity is concerned. I intend to show that although both authors share the view that worldly beings are characterized by their contingency, they differ as to their necessity: Aristotle attributes a contingent necessity to the factual being i.e. to reality, a necessity characterized by its being temporarily conditioned by actuality and which can therefore be defined as the ,conditional necessity of a fact‘. As to Husserl, transcendental phenomenology must, upon the basis of the eidetic method, determine the possibilities out of which the ego constitutes the factual world. He states the necessity of the fact as an eidetic necessity, which has to be grounded on eidetic laws. Later on, enquiries into a „metaphysics in new sense“ lead to a revision of the meaning of „fact“ and to an inversion of the order of foundation as well: the original givenness of the world, the primal I, intersubjectivity and historicity as primal and absolute facts carry the eidetic necessities. Accidental causes, on the other hand, account not only for the contingency of the real but, at Husserl, for the ego‘s ,essential openness‘ and its core of primal contingency. In this context, I shall argue that facticity paired with the accidental allows for the irruption of something new that overwhelms us – an event as Ereignis. (shrink)

In den folgenden Überlegungen wird der Frage nachgegangen, welchen Status die Unterscheidung zwischen Sinnlichkeit und Begriff in der Philosophie Husserls hat und inwiefern sie für die Herausarbeitung eines ästhetischen Wissens fruchtbar gemacht werden kann. Husserl formuliert in den Ideen I das „Prinzip aller Prinzipien“ für die Philosophie, „daß jede originär gebende Anschauung eine Rechtsquelle der Erkenntnis sei, daß alles, was sich uns in der ‚Intuition’ originär (sozusagen in seiner leibhaften Wirklichkeit) darbietet, einfach hinzunehmen sei, als was es sich gibt, aber (...) auch nur in den Schranken, in denen es sich da gibt[...].“1 Eine Anschauung ist also die subjektive Erscheinungsweise eines Gegenstandes: Etwas erscheint mir „als“ etwas, d.h. das Selbstsein der Sache ist nicht ein ‚ansich’ Sein, sondern eine „subjektive[], situationsgebundene[] Gegebenheitsweise.“2 Es gibt eine Korrespondenz zwischen der Gegebenheitsweise – dem ‚Wie’ des Erscheinens – und dem Gegenstandsart bzw. dem Gegenstandssinn – dem ‚als Was’ der Gegenstand vermeint ist. Sinnliche und kategoriale Anschauungen konstituieren die Form der Gegenständlichkeit: die sinnliche aus den „Auffassungsstoffen“, die kategoriale aus den „Auffassungsformen“. Sie sind nicht getrennte Bereiche in der husserlschen Phänomenologie, sondern sind durch ein Fundierungsverhältnis3 aufeinander bezogen: Laut den Logischen Untersuchungen ist eine kategoriale Anschauung4 ein durch eine sinnliche Wahrnehmung fundierter intentionaler Akt;in der kategorialen Anschauung erfüllen sich die „kategorial geformten Bedeutungen“.5 Im Unterschied zur sinnlichen Anschauung ist die kategoriale Anschauung durch einen „Überschuss in der Bedeutung“ charakterisiert, denn „nur die in []einem ‚Begriff‘ vereinten Merkmalbedeutungen terminieren in der Wahrnehmung“.6 In seinen späteren Überlegungen erkennt Husserl aber, dass das Kategoriale auf das Nichtkategoriale, auf das Vorprädikative bzw. die passive Synthesis hinweist. Im Folgenden wird daher die These vertreten, dass diese Anerkennung einer passiven, vorkategorialen, ursprünglichen Sinnstiftung und die darauf aufbauende sich stets fortbildende Sinnbildung des identischen Gegenstandes im kontinuierlichen Wahrnehmungsverlauf dem Gegenstand einen sinnlichen Überschuss aufprägt, den die kategoriale Wahrnehmung nicht einzulösen vermag. Diesem Überschuss liegen spezifische Wissensformen zugrunde, die nicht mehr ganz im Sinne Husserl, sondern in Anknüpfung an Platons Politeia als eikasía (Vermutung: den Bildern, eikones, entsprechend) und pístis (Hinnahme, Überzeugung) bestimmt werden können. Im letzten Teil des Vortrages wird schließlich ein auf dem Boden der Lebenswelt aufbauendes Fundierungsverhältnis zwischen ästhetischem und wissenschaftlichem Wissen vorgeschlagen. (shrink)

Acts of violence develop in relation to place and involve the violation of its very limits. Every significant place is a scene of history, its limits embrace presence and sense. As such, it is the life-worldly home of memory. In this article, I will retrieve the bodily affective dimension of the phenomenon of place memory in instances of public commemoration. Drawing on different philosophical horizons like those of mainly Heidegger, Husserl, Merleau-Ponty, Derrida, Adorno, Ricoeur and Bataille, I’ll contrast their different (...) perspectives on the question of the intertwining of violence, place and memory and refer them to the narrative work of memorials. Insofar violence has been traditionally represented and thereby obliterated by architecture, we may ask how should genocide, as the unspeakable and ungraspable be expressed? I’ll suggest that it can only be attained by the suspension of meaning and presence: A narrative of bodily affections, of pathos, suffering and excess that accounts for what in itself remains beyond expression. (shrink)

What kind of reference (if any) do terms such as “pencil,” “chair,” “television,” and so on have? On the matter, a de-bate between directly referential theorists and descriptiv-ist theorists is open. It is largely acknowledged that natural kind terms (such as “water,” “gold,” “tiger,” etc.) are directly referential expressions (cf. Putnam,1975). That is, they are expressions whose reference is determined by their refer-ents' nature, independent of whether we know or will ever know what this nature is. However, it does not (...) seem like-wise convincing that all artifactual kind terms (like “pen-cil,” “chair,” “television,” etc.) semantically behave the same. Terms for artifactual kinds seem more likely to be subjected to a descriptivist view, that is, definable not by links to their extensions' nature but in terms of conjunctions or clusters of properties. In his celebrated “The Meaning of ‘Meaning’” (1975), Hilary Putnam originated the mentioned debate by arguing that artifactual kind terms also refer directly. Thus, the discussion ultimately revolves around establishing whether artifactual and natural kind terms are both directly referential expressions. The authors engaged in this debate have tried to argue in favor of (or against) Putnam's proposal by highlighting the similarities (or differences) between nat-ural vis-à-vis artifactual kind words and their respective ref-erents. This paper aims to provide a thorough and reasoned overview of the debate at stake, pointing out trends and problems associated with each proposed account. (shrink)

Their treatment of such human rights political participation, freedom of conscience, and religious toleration demonstrate, Oh says, that Islam should have a ...

The received view of Martin Heidegger’s work is that he leaves little room for reason in the practice of philosophy or the conduct of life. Citing his much-scorned remark that reason is the “stiff-necked adversary of thought”, critics argue that Heidegger’s philosophy effectively severs the tie between reason and normativity, leaving anyone who adheres to his position without recourse to justifying reasons for their beliefs and actions. Transcending Reason is a collection of essays by leading Heidegger scholars that challenges this (...) view by exploring new ways to understand Heidegger’s approach to the relationship between reason, normativity, and the philosophical methodology that gives us access to these issues. The volume points to Heidegger’s novel approach to reason understood in terms of what he calls Dasein’s ‘transcendence’—the ability to occupy the world as a space of normatively structured meanings in which we navigate our striving to be. By examining the strengths and weaknesses of this new and innovative take on Heidegger’s philosophy, this collection considers the possibility that he does not sever but rather reconceives the relation between reason and normativity. -/- . (shrink)

Hermann Cohen (1842-1918) -- Franz Rosenzweig (1886-1929) -- Martin Buber (1878-1965) -- Leo Strauss (1899-1973) -- Emmanuel Lévinas (1906-1995).

Written by two of the leading figures in the field, this is a lucid and systematic introduction to semantics as applied to transformational grammars of the ...

The commentaries on the Ethica nova and the Ethica vetus written by some masters of the arts – presumably operating in the Paris faculty – in the first half of the thirteenth century expound in an original way the doctrine of the virtutes consuetudinales which Aristotle, at the end of the first book of his Ethica (I 13), distinguishes into the two main classes of the “moral virtues” and the “intellectual virtues”. The present paper aims at highlighting the particularly important (...) task which is assigned to the intellectual virtues in these early commentaries: joining man to God directly, through a contemplation which becomes love. The masters of the arts maintain that the moral virtues, in spite of the definition given by Aristotle (habitus a quo quis bonus est et opus eius bene reddit), are not sufficient alone to bring man to perfection, but that other more perfect virtues, namely the intellectual ones, are needed in order to make him know and love the supreme good. Having no knowledge of the sixth book of the Ethica, in which Aristotle deals in particular with the intellectual virtues, our masters know only their general description and are concerned with clarifying their relationships with the moral virtues, compared to which they appear to be sometimes really distinct and sometimes united to them in sharing the recta ratio, so much that they may constitute a double virtue. Although the masters of the arts seem to be well-informed about the teaching of the theologians – which they often cite without opposing to it, albeit stressing their own philosophical point of view –, it is significant that no reference whatsoever is made by them to the theological virtues and that they have recourse to the themes of Avicennian mysticism such as the doctrine of the two faces of the soul. Besides presenting the commentaries on the Ethica vetus from a general point of view, I will focus on the Paris commentary in Ethicam veterem (Paris BN lat. 3804A, ff. 152ra-159vb, 241ra-247vb; Paris BN lat. 3572, ff. 226ra-235ra), of which I am preparing a critical edition. The Paris commentary contains in fact a special and original discussion of the doctrine of the virtutes intellectuales. (shrink)

A combination of spiritual insight and outrageous behavior, wisdom and childishness, joyous high spirits and deep loneliness, Alan Watts (1915-1973) touched the lives of many with his teachings. In this penetrating biography, Furlong reveals how Watts was instrumental in introducing Eastern philosophy and religion to Western minds.

This paper aims to produce a defense of the ethical significance of Confucian ritual. An adequate defense must explain how these conventions are based in a culturally-neutral, objective ground. After a brief account of how Confucians view the relationship between rituals and moral goodness, I consider three sorts of justification. Mencian naturalism appeals to a conception of flourishing that is grounded in human nature. Xunzian consequentialism looks to how ritual brings about social order. I argue that both of these approaches (...) fail because they are unable to account for the normative fineness of rituals, which refers to the precision and detail of ritual propriety. Instead, I look to Xunzi for a justification of rituals in terms of their role in beautifying human nature. I argue that this view provides a sort of objective ground for ritual, while also preserving their normative fineness. I conclude with remarks on how Xunzian aestheticism may be useful for understanding other areas of moral life. (shrink)

Philosophy Compass, Volume 17, Issue 9, September 2022.

In this chapter, we offer a reconstruction of the evolution of Leibniz’s thought concerning the problem of the infinite divisibility of bodies, the tension between actuality, unassignability, and syncategorematicity, and the closely related question of the possibility of infinitesimal quantities, both in physics and in mathematics.Some scholars have argued that syncategorematicity is a mature acquisition, to which Leibniz resorts to solve the question of his infinitesimals – namely the idea that infinitesimals are just signs for Archimedean exhaustions, and their unassignability (...) is a nominalist maneuver. On the contrary, we show that syncategorematicity, as a traditional idea of classical scholasticism, is a feature of young Leibniz’s thinking, from which he moves away in order to solve the same problem, as he gains mathematical knowledge.We have divided Leibniz’s path toward his mature view of infinitesimals into five phases, which are especially significant for reconstructing the entire evolution. In our reconstruction, an important role is played by Leibniz’s text De Quadratura Arithmetica. Based on this and other texts, we dispute the thesis that fictionality coincides with syncategorematicity, and that unassignability can be bypassed. (In this chapter, we employ “syncategorematic” as a shorthand for “eventually identifiable with a procedure of exhaustion” and, as a consequence, “involving only assignable quantities.” We also identify syncategorematicity with potentiality, as suggested by some part of the scholastics, and in Sect. 2.2, we show that the two characterizations are equivalent, provided that “potentiality” is intended in the correct way: namely as in the unending iterative procedures of Greek mathematics.) On the contrary, we maintain that unassignability, as incompatible with the principle of harmony, is the ultimate reason for the fictionality of infinitesimals. (shrink)

In this article I reconsider the issue of ?transfer? in education. Received views of learning transfer tend to rely upon a version of representation in which the world and the learner are held apart. The focus falls on how this gap can be closed; how learning can be transferred. A sociomaterial perspective, by contrast, puts learner and world back together, making each available to the other. Bringing the materialist sensibility of actor-network theory to bear and drawing on empirical data collected (...) as part of a small-scale qualitative study of the experience of graduate teachers when moving from education into work, it is argued that transfer, and by implication, learning, primarily concerns the practical and takes multiple forms: contingently composed of social, textual and material practices of knowledge production, learning transfer is a relational effect of the intersection of these practices. Empirical analyses point to the practice of two broad patterns of learning transfer, termed here the representational and the relational. Thinking learning transfer as performed through disparate agencies and practices challenges the self-evidences of perspectives on learning which characterize contemporary education. Here, learning is primarily seen in terms of the intrinsic capabilities of people, regardless of the object-dependent qualities of their learning and lives. This human-centricity raises significant epistemological and ethical issues which are addressed by way of a discussion of the embedded normativities and politics of the practices of representational and relational transfer. (shrink)

This article has, as an end in itself, the latent and pulsating objective of serving as a tool for introductory awakening to the process of racial literacy. As a further objective, I seek to point out the importance of this process in the family, institutional and social spheres, in order to minimally incite people to an anti-racist education. To this end, I start from the precision of concepts related to literacy and literacy systems, working with some concepts that are part (...) of this literacy repertoire such as race, racism and racial discrimination, in order to clarify them, so that they can be better understood in their applicability. In the second moment, to address the literacy, I start from a first question: who are the literate? Responding to this implies recognizing the place of white privilege with its implications. The other steps that make up this process are investigated throughout the article. I mainly use the elaborations of the Martinican philosopher, psychiatrist and psychoanalyst Frantz Fanon, from the work Pele Negra, Máscaras Brancas (1952), in order to, with this resumption, enter into the theme of the book by the New Zealand philosopher Annette Baier, Reflections On How We Live (2009) as a way of thinking about its feasibility, with a view to anti-racist education through racial literacy. (shrink)

"This book gathers together eighteen of the most important and influential scholarly articles of the last 60-70 years (three of which are translated into..

El objetivo de este artículo es describir la percepción de riesgo y los factores de protección y de riesgo frente al consumo de sustancias psicoactivas legales e ilegales en estudiantes de la Universidad de Boyacá. Es un estudio cuantitativo y descriptivo de corte transversal, para el cual se tomó una muestra de 573 estudiantes que fueron seleccionados mediante muestreo estratificado probabilístico. El instrumento utilizado fue la encuesta sobre consumo de drogas, factores y percepción de riesgo en estudiantes universitarios (CODEU) diseñado (...) por Beverido, Salas, De San Jorge, Pavón, Blázquez, Gogeascoechea y Cruz (2012), que consta de 73 preguntas. Este instrumento fue validado y obtuvo un alpha de Cronbach de 0.787. Los hallazgos muestran que entre los factores protectores se encuentran: adecuadas relaciones familiares y practicar un deporte, como factores de riesgo se identifican principalmente: la permisividad social y las construcciones de reconocimiento social presentes ante el consumo de sustancias legales. De las sustancias ilegales, la marihuana es la que se percibe como de menor riesgo frente a la cocaína, el bazuco, los inhalantes y la heroína. (shrink)

Ethical leadership matters in the context of organizational change due to the need for followers to trust the integrity of their leaders. Yet, there have been no studies investigating ethical leadership and organizational change. To fill this gap, we introduce a model of the moderating role of involvement in change. Organizational change and involvement in change are proposed as context-level moderators in the relationships of ethical leadership and work-related attitudes and performance. We employ a sample of 199 supervisor–subordinate pairs from (...) a wide variety of organizations. Results support a three-way interaction (ethical leadership, organizational change, and involvement in change) for performance and OCBs. Our results have important implications for organizational change since ethical leadership appears to complement follower involvement when change is happening. (shrink)

Through cultural transmission, repeated learning by new individuals transforms cultural information, which tends to become increasingly compressible . Existing diffusion chain studies include in their design two processes that could be responsible for this tendency: learning and reproducing . This paper manipulates the presence of learning in a simple iterated drawing design experiment. We find that learning seems to be the causal factor behind the increase in compressibility observed in the transmitted information, while reproducing is a source of random heritable (...) innovations. Only a theory invoking these two aspects of cultural learning will be able to explain human culture's fundamental balance between stability and innovation. (shrink)

As a neonatal neurologist, I serve families facing tragic decisions in which they must balance trade-offs between death and life with profound disability. I often find myself in complex discussions about future outcome, in which families sort through in real-time what information they value most in making such a choice. Will he laugh? Will he be in pain? Will he know how much he’s loved? In this month’s feature article, Brick et al share the results of an online survey aimed (...) at assessing public views on when a life is not worth living, in an effort to inform ongoing legal and clinical debates about withdrawal of life-sustaining treatment for children. These findings raise important questions about how we define and measure outcomes that matter to parents as they make these tragic decisions. It is challenging to interpret these findings in the absence of context of how decision-making for infants occurs in real-time. The nature of this study and its objective required that cases be substantially simplified. As the authors acknowledge, the prognoses and function of the children involved in these cases were often deeply contested. Prognostic uncertainty is common for children with significant …. (shrink)

This paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the study of “rich pictures” made by individuals to graphically represent their understanding of algorithmic recommendations. We found two main folk theories: one that personifies Spotify and another one that envisions it as a (...) system full of resources. Whereas the first theory emphasizes local conceptions of social relations to make sense of algorithms, the second one stresses the role of algorithms in providing a global experience of music and technology. We analyze why people espouse either one of these theories and how these theories provide users with resources to enact different modalities of power and resistance in relation to recommendation algorithms. We argue that folk theories thus offer a productive way to broaden understanding of what agency means in relation to algorithms. (shrink)

Blockchain is an open digital ledger technology that has the capability of significantly altering the way that people operations operate in organizations. This research takes a first step in proposing several ways in which the blockchain technology can be used to improve current organizational practices, while also considering the ethical implications. Specifically, the paper examines the role that blockchain technology plays in three primary areas of people operations: entry to the organization, intraorganizational processes, and exit. In each section, the paper (...) reviews the ethical implications from the lenses of virtue ethics, utilitarianism, deontology and contractarianism. The paper concludes that in whole the implementation of blockchain technology in people operations processes can create a more ethical work environment. However, careful implementation is necessary and requires extensive examination of ethical implications in advance. (shrink)